Truth Behind Porn

 

BEHIND PORN AND PORN INDUSTRY AND HOW IT HURTS REAL TRUTH ABOUT PORNOGRAPHY.

Because the very definition of pornography is subjective, a history of pornography is nearly impossible to conceive; imagery that might be considered erotic or even religious in one society may be condemned as pornographic in another. Thus, European travelers to India in the 19th century were appalled by what they considered pornographic representations of sexual contact and intercourse on Hindu temples such as those of Khajuraho (see photograph); most modern observers would probably react differently. Many contemporary Muslim  societies likewise apply the label “pornography” to many motion pictures and television programs that are unobjectionable in Western societies. To adapt a cliche pornography is very much in the eye of the beholder.

In many historical societies, frank depictions of sexual behaviour, often in a religious context, were common. In ancient Greece and Rome, for instance, phallic imagery and depictions of orgiastic scenes were widely present, though it is unlikely that they fulfilled anything like the social or psychological functions of modern pornography (see phallicism). A modern use seems more likely in some of the celebrated erotic manuals, such as the Roman poet Ovid’s Ars amatoria (Art of Love), a treatise on the art of seduction, intrigue, and sensual arousal. Some of the 100 stories in the Decameron, by the medieval Italian poet Giovanni Boccaccio, are licentious in nature. A principal theme of medieval pornography was the sexual depravity (and hypocrisy) of monks and other clerics.

Japan possessed a very highly developed culture of visual erotica, though these materials were so much part of the social mainstream that many cannot legitimately be described as “pornographic.” Elaborate depictions of sexual intercourse—pictures notionally designed to provide sex education for medical professionals, courtesans, and married couples—are present from at least the 17th century. Makura-e (pillow pictures) were intended for entertainment as well as for the instruction of married couples. This interest in very frank erotica reached its height during the Tokugawa period (1603–1867), when new technologies of colour woodblock printing allowed the easy manufacture and circulation of erotic prints, commonly described as shunga (“images of spring”; see photograph). The volume of this type of material was so large by the 18th century that the government began issuing official edicts against it, and some arrests and prosecutions followed. Nevertheless, Japanese erotica continued to flourish, and the prints of artists such as Suzuki Harunobu (c. 1725–70) have since achieved worldwide renown.

The modern history of Western pornography begins with the Enlightenment (18th century), when printing technology had advanced enough to permit the production of written and visual materials to appeal to audiences of all socioeconomic levels and sexual tastes. A small underground traffic in such works became the basis of a separate publishing and bookselling business in England. A classic of this period was the widely read Fanny Hill; or, Memoirs of a Woman of Pleasure (1748–49) by John Cleland. At about this time, erotic graphic art began to be widely produced in Paris, eventually coming to be known in the Anglophone world as “French postcards.”

Apart from its sexual element, pornography became a powerful vehicle for social and political protest. It provided a vehicle for the exploration of daring ideas that were condemned by both church and state, including sexual freedom for women as well as for men and the practices of contraception and abortion. Much pornography also focused on the misdeeds of royals and aristocrats, thereby contributing to the discrediting of the elites of Europe. Perhaps the most important author of socially radical pornography was the Marquis de Sade, whose books—notably Justine (1791)—combined orgiastic scenes with long philosophical debates on the evils of property and traditional social hierarchy.

By the time that Queen Victoria came to the throne in Great Britain in 1837, there were more than 50 pornographic shops on Holywell Street (known as “Booksellers’ Row”) in London. Pornography continued to flourish during the Victorian Age in Britain and in the United States despite—or perhaps because of—the taboos on sexual topics that were characteristic of the era. The massive and anonymous autobiography My Secret Life (1890) is both a detailed recounting of an English gentleman’s lifelong pursuit of sexual gratification and a social chronicle of the seamy underside of a puritanical society. An important periodical of the era was The Pearl (1879–80), which included serialized novels, short stories, crude jokes, poems, and ballads containing graphic descriptions of sexual activity. Such works provide a valuable corrective to conventional images of Victorian prudery.

In the 19th century the inventions of photography and later of motion pictures were quickly put to use in the production of pornography. Pornographic films were widely available no later than the 1920s, and in the 1960s their popularity enjoyed a massive upsurge. The development of videocassettes in the 1980s and digital videodiscs (DVDs) in the 1990s enabled the wide distribution of pornographic films and further encouraged their use because they could be viewed in private. Pornographic images and films became even more widely available with the emergence of the Internet in the 1990s. The pornographic industry became one of the most profitable on the Internet. Apart from providing a vast marketplace for commercial pornography appealing to many diverse tastes, the Internet also encouraged many amateurs to post images of themselves, images that often challenged traditional concepts of beauty and sex appeal. The use of webcams opened the industry even further to amateurs, allowing individuals to post live depictions of themselves, often for fees. The Internet also increased the availability of child pornography.

Pornography has long been condemned and legally proscribed in the belief that it depraves and corrupts both minors and adults and that it leads to the commission of sex crimes. Occasionally, important artistic or even religious works have been banned because they are considered pornographic under such assumptions. Those assumptions have been challenged on legal and scientific grounds. Nonetheless, the production, distribution, or possession of pornographic materials may be prosecuted in many countries under statutes dealing with obscenity. Although legal standards vary widely, most countries in Europe and North America permit depictions of sexual activity that would have been deemed grossly and criminally pornographic just a few decades ago. The only remaining taboo that is nearly universally accepted is the condemnation of child pornography.

In Political philosophy they teach Feminism and sexual equality on legal and cultural tolerance of pornography, which makes the subordination of women sexually appealing.

The root word of pornography is prostitution. It means record of prostitute’s life. Pornography do indeed have real sex for material benefit and so is prostitution. The main aim is sex for material benefit.

If someone said to another, let’s have sex which we should film and someone will give you my money in order to make it a third party; but I don’t intend to derive ‘pleasure’ from the sex; however I might find it pleasurable. That is not the aim . That film is for my personal consumption. If another agrees to it and they have sex, it becomes a porn. That prostitute is a porn actor now. But, we all clearly know and understand that no matter how some people tried to deny the immorality behind; pornography is actually a form of prostitution which can be made pornography to make it more glamorous, if it is filmed and the pleasure from the real sexual intercourse is not the main aim of the client.

It is a self explanation when some pornstars hate to be called prostitutes, because they know about the actual reality clearly in letter and spirit, which may also provoked their own hidden guilt for that matter. It can also be called the case of the height of hypocrisy.

Internet: Love and sex

Pornography is another domain in which nichification is prevalent. By the 21st century there were some.

In the video you learn from  Ex Porn Star Vanessa Belmond Confesses Horrors of Seductive Porn Industry; Brings Porn-Loving Men Close to Tears With Story. Ex porn star Vanessa Belmond, 25, who walked away from the porn industry after seven years in March recently gave a glimpse of the industry's dark side to three porn loving British men on a visit to Los Angeles, Calif., and she almost brought them to tears with her story. Highlighting her life as sex bombshell Alexa Cruz in a YouTube clip from a British TV series called "Date My Porn Star," Belmond told the men, Jonathan, 40, Kevin, 20, and Danny, 23, that the industry took her further than she had intended to go when she started at 18. She is now filled with regret and has been volunteering with an organization campaigning against pornography called antipornography.org. "Nobody really wants to date a porn star, stripper, escort. As to the whole family thing and having kids, I'm like 'who's gonna have kids with an ex porn star.' And even when I'm 60 I'm still gonna have this porn on the Internet. It's like having a virus or something that never goes away," she told them at the end of her session with them.

Next Californian woman who was once one of the world's most successful porn stars has started a new life as a pastor. Shelly Luben and her husband later serve as Pastors in a Christian Congregation preaching the Gospel. She was saved delivered set free in Yeshua. Died in 2016. May her Soul rejoice. Shelley Lubben (May 18, 1968 – February 9, 2019) was an American author, singer, motivational speaker, and pornographic actress. As a performer in the adult film industry, she was known professionally as Roxy. After she left the sex industry, Lubben became a born-again Christian and anti-pornography activist. From 2008 to 2016, she was the executive director of the Pink Cross Foundation, which reaches out to women and men in pornography and speaks in public forums, sharing about the hazardous working conditions that she experienced in the porn industry. In January 2016, she closed the Pink Cross Foundation. She was also an ordained Chaplain with the Order of Saint Martin with a degree in Theological studies.

JUST IMAGINE IF SHE IS YOUR SISTER AND YOU ARE WATCHING HER. THIS GIRLS WERE TRAUMATIZED, HOPELESS AN HELPLESS. I AM ASKING YOU TO TURN YOUR HABBIT OF PORN WATCHING TO PORN PRAYER. SHALOM!!